The Running Tide | Sandy Evans Trio

Sandy Evans Trio

★★★★★ “Three of Australia’s greatest jazz musicians are playing here, with Evans’ virtuosity authentically captured."

Personnel

Sandy Evans: saxophone

Brett Hirst: double bass

Toby Hall: drums

Ross A’hearn: recording, mixing rngineer (Sony Studios)
Michael Lynch: mastering engineer (Shoehorse Sound)
Jason James: cover art photography

“When the other musicians are as skilled and imaginative as Brett and Toby, those explorations are an absolute joy."

The Running Tide  is musically akin to the ebb and flow of water. Each composition is a canvas for improvised dialogue: some tell a story, others are humorous or ironic, some pay tribute to musical influences or a historic tragedy, and others are meditative, feel-based, or entirely free.

Thematically, the album embodies hope, sadness, humor, virtuositty, curiosity, groove and adventure.

Evans’ love affair with the trio format is rooted in her appreciation for Toby and Brett, and how they “respond to my adventurous and diverse ideas with utter enthusiasm and superlative musicianship.”

The jazz trio offers huge freedom and flexibility for improvised explorations. “When the other musicians are as skilled and imaginative as Brett and Toby, those explorations are an absolute joy.”

The recording took place in 2019 with renowned engineer Ross A’hern. Evans says  Ross feels like the fourth member of the group. “We were fortunate to record at Sony Studios, with Ross creating a perfect environment for playing freely… Ross has a meticulous attention to detail and deep love of jazz.” The Running Tide was mastered by Michael Lynch of Shoehorse Sound.

Reviews

Sandy Evans (saxophones), Brett Hirst (bass) and Toby Hall (drums) have been collaborating for 21 years, so they’re a tried and true combination. The empathy between them here is palpable. The Running Tide features 13 relatively short compositions by Evans, mostly mere snatches of musical experience, plus one tune composed by the three musicians. I found the music relaxed, joyful, melodic and compelling. This is not to say that the trio was averse to higher energy when it was called for, for example in Evans’s composition And You Are?, which is highly reminiscent of John Coltrane’s great recordings in ¾ time; and also to turbulence, as in Astral Poet Remembrance 1, Evans’ unaccompanied two-minute improvisation in honour of Cecil Taylor. Three of Australia’s greatest jazz musicians are playing here, with Evans’ virtuosity authentically captured. Hirst and Hall, no mere sidepersons, are able to establish brilliant rhythmic grooves throughout, and when called upon to solo, both come to the party with absolute authority. Importantly, the sound on this great album is immaculate, courtesy of leading recording engineer Ross A’hern. 

Eric Myers

Listen  and purchase on Bandcamp