Resonance
Cover art: Lydia Wegner, Orange Balance, 2022, archival inkjet print, 95 x 63cm, courtesy of the Artist and ARC ONE Gallery.
Resonance draws on the shared experience of four musicians building a creative life while caring for partners, children, aging parents and community. It speaks to the demands placed on women, and to a jazz scene, and a society, still slow to recognise them. Lyrics for the project were commissioned, premiering new works by Michele Morgan, Hazel Smith and Andrea Keller alongside poems by Sara Teasdale and Jeannie Greensfelder.
Resonance inspires meaningful conversations about gender, creativity, and the challenges faced by women in the arts.
Artist / group
"Each piece contained a structured section where Berardi interpreted the lyrics, her gorgeously expressive voice alighting on each word with grace and tenderness, and a free section where Barnes offered an improvised response to the poem in wordless sounds and instinctive gestures.’"
Jessica Nicholas, The Age
Resonance brings together four world-renowned improviser-composers who use their collective voice to shatter against the glass ceiling.
Co-leaders Sandy Evans (saxophones) and Andrea Keller (piano) stand among Australia’s most distinguished contemporary jazz musicians.
They are joined by Kristin Berardi, an internationally renowned Australian jazz singer now based in Switzerland, and Jenny Barnes, whose vocal practice grows out of her deep study of linguistics in improvisation.
Release date 18 September 2026
Resonance tour 17 October – 1 November 2026
Personnel
Andrea Keller Co-leader, composer, piano
Sandy Evans Co-leader, composer, saxophones
Kristin Berardi Voice
Jenny Barnes Voice
"We wanted to make something that told the truth about that experience — without complaint or conclusion. Because there is no map, no clear path, only the decision to keep going."
Andrea Keller and Sandy Evans
Track listing
Taking Turns – music by Andrea Keller, words by Jeanie Greensfelder
Thin Skin – Barnes/Evans/Keller, words by Michele Morgan
Hello Moon – music by Sandy Evans, words by Michele Morgan
Andrea’s Special Days – music by Sandy Evans
Invisible – Barnes/Evans/Keller
Everywhere & Nowhere – music & words by Andrea Keller
Bold Lyrics on Cracked Glass – Barnes/Evans/Keller
Sear and Soothe – music by Sandy Evans, words by Hazel Smith
The Long Hill – music by Andrea Keller, words by Sara Teasdale
Stretched – music by Andrea Keller
Listen on Bandcamp
Lyrics by Michele Morgan, Hazel Smith, Andrea Keller, Sara Teasdale and Jeannie Greensfelder
Taking Turns
Jeanie Greensfelder
I pass a woman on the beach.
We both wear graying hair,
feel sand between our toes,
hear surf, and see blue sky.
I came with a smile.
She came to get one.
No. I’m wrong.
She sits on a boulder
by a cairn of stacked rocks.
Hands over her heart,
she stares out to sea.
Today’s my turn to hold the joy,
hers the sorrow.
__
© Jeanie Greensfelder
Reproduced with permission of the author
Thin Skin
from Poem Boxes
Michele Morgan
The nexus
between daily life and fantasy
Is such a
thin skin of hope and despair
–
© Michele Morgan
Reproduced with permission of the author
Hello Moon
from Poem Boxes
Michele Morgan
New moon
low slung in the sky
behind lacy branches
So many things in this world to do
got to keep breathing in
breathing out
As I have to be walking this way anyway
this cold night, these cold streets
Hello Moon!
Hello Moon!
Full moon last night
crystal in an icy bowl
Nothing is more precious
than the glances of strangers
meeting each other
Just keep breathing
asking all the questions
when the point is
that there are no answers
Things are as they are
Got to keep breathing in
breathing out
got to keep breathing in
breathing out
breathing in
breathing out
–
© Michele Morgan
Reproduced with permission of the author
Everywhere & Nowhere
Andrea Keller (2024)
A gush dotted in the wind
Facilitating flight
Holding steadfast
Always championing
Exhaled and compelled to the vast beyond
Configuring a nebula
Cultivating new life
Always nurturing
Swept and reckoned to have had their venture
Yet together they form an ocean
The foundation for all life
Invisible(women)
–
© Andrea Keller
Reproduced with permission of the author
Sear and Soothe
Hazel Smith
The woman supports a child in one hand and a trumpet in the other.
She beats her soul into a bowl with sugar and melting butter.
She adores cats, calculus and turning cartwheels.
She reveres all the women who were hanged, beaten or stoned to death throughout history’s scandalous ode to justice.
Yet duty is a snake, and the charmer is always female.
The woman’s son is limping, she must save him from a fall even as the piano lid bangs open and spills bewitching melodies.
Who entered her for this life-long series of auditions?
She loves to stitch rejection notes together;
she converts condescension into floor coverings.
She will never submit to the fangs of bias, the trash-talk of the bigot.
She whisks up a new language that can sear and soothe before it is understood.
Invention is porous; transparency can be false; falsetto isn’t a male domain.
She paints bold lyrics on cracked glass, gives throat to broken words.
She holds a to-do list in one hand, lifts a galaxy with the other.
–
© Hazel Smith
Reproduced with permission of the author
The Long Hill
Sara Teasdale
I must have passed the crest a while ago
And now I am going down—
Strange to have crossed the crest and not to know,
But the brambles were always grabbing at the hem of my gown.
All the morning I thought how proud I should be
To stand there straight as a queen,
Wrapped in the wind and the sun with the world under me—
But the air was dull, there was little I could have seen.
It was nearly level along the beaten track
And the brambles caught in my gown—
But it’s no use now to think of turning back,
The rest of the way will be only going down.
–
© Sara Teasdale
Reproduced with permission of the author
Support for Resonance
This project has been assisted by the Australian Government through Music Australia and Creative Australia, its arts funding and advisory body. | This project is proudly funded by the NSW Government through Sound NSW. | Supported by University of Melbourne.